Hamlet is Not a Coward Essay -- Essays on Shakespeare Hamlet

village is Not a Coward The eldest seven lines of Hamlets soliloquy in the third scene of the third meet earn been the cause of debate for centuries as to what they reveal about Hamlets character. some(a) say that he has chickened out of the prime opportunity to obtain the vindicate that he has been commissioned to achieve by the ghost of his father. They accuse Hamlet of being a pacifist who hasnt the heart to put his thoughts into action-that he has plainly talked himself out of the deed. My interruption of these lines, however, shows that just the opposite is true. The Prince of Denmark is indeed set upon avenging his fathers death, and sort of than backing away from the task at hand, he is going ship in away which is intended to bring dishonor to Claudius and maintain his cause honor at the same time. Now might I do it pat, now he is praying And now Ill dot. And so a goes to heaven And so am I revengd. that would be scannd A villain kills my father and for that, I, s ole son, do this same villain send To heaven. Why, this is hire and salary, not revenge. --Hamlet III.iii.73-79 Hamlet becomes sincerely yours committed to revenging his fathers murder after the Mouse Trap scene in Act II in which the guilt of Claudius is clearly brought forth. His little execute had a two fold effect which spurs Hamlet forward. First of all, by mimicking the exact way in which Claudius killed his brother and married his sister-in-law, Claudius knew that Hamlet was on to him. The second effect may or may not have been intend by Hamlet, but the murderer in his play happened to be the nephew of the king, which may have been interrupted by Claudius as Hamlets future intentions. twain of ... ...ational thought, for had he stopped and thought for a moment, he would have agnize that it couldnt possibly have been the King-he had just left Claudius praying. Revenge is a treacherous game to play as Hamlet well found out. In the end his fathers death is avenged, ye t the kingdom has been lost to Norway - a greater tragedy than the death of all the main characters. Works Cited and Consulted Bloom, Harold. Modern fine Interpretations Of Hamlet. New York, NY Chelsea House Publishers, 1986. Charney, Maurice. All of Shakespeare. New York, NY. Columbia University Press. 1993. Evans, Gareth Lloyd. The Upstart Crow-An Intro. to Shakespeares Plays. London, England J.M. cabbage & Sons Ltd, 1982. Magill, Frank N. Masterplots. Englewood Cliffs, NJ, 1995. Shakespeare, William. Hamlet. Garden City, NY Garden City Books, 1936